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Books for a Humanist Society

Literature, Art & Music for a Humanist Society (63 items)

Forster, The Arabian Nights, in Five Volumes.

1. [Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

EUR 2.800,-- 

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Beaulieu, Le Robinson de douze ans.

5. Beaulieu, Mad. Mallès de / [Robinson Crusoe].

Le Robinson de douze ans – Histoire intéressante d’un jeune Mousse Français abondonné dans une ile déserte. Ornée de Gravures par Mme Mallès de Beaulieu, Auteur des Coules d’une Mère à sa Fille.

Paris, P.-C. Lehuby, no date (approx. 1818). Small – Octavo. Engraved frontispiece, Titlevignette, 288 pages with two further engravings (4 in total). Hardcover. Original, blue paper-covered boards, extensively decorated with gilt floral motifs and an inset illustration of the young Robinson and his dog on a beach. Very good condition. Interior remarkably clean. Fine example of a so-called Robinsonade, a fashionable adaptation of the original Robinson Crusoe story, in this case based on another “Robinsonade”, this is a somewhat modified and inspired version of Johann David Wyss’ famous publication “The Swiss Family Robinson”, which he published initially “to teach his sons about family values, good husbandry, the uses of the natural world and self-reliance” (Wikipedia). In her publication “History and the Construction of the Child in Early British Children’s Literature”, Jackie C. Home writes that “The Bibliothèque Nationale de France online catalogue lists 35 French language editions of Mallès de Beaulieu’s novel, published between 1818 and 1923, suggesting that the novel was one of the most popular titles fro children in nineteenth-century France.”

EUR 480,-- 

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Cervantes - The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha

9. Cervantes De Saavedra, Miguel [Jarvis Edition with an excellent provenance, being from the library of John Fane, (Lord Burgersh) the Earl of Westmoreland].

The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. Translated from the Original Spanish by Charles Jarvis, Esq. [Bound with: “The Life of Michael de Cervantes Saavedra” and an “Advertisement concerning the Plates”].

Second issue of the First Jarvis Edition. Two Volumes (complete set). London, J. & R. Tonson and R. Dodsley, 1738-1742. Quarto. Pagination: Volume I: Frontispiece, XXIV, (8), I – [XXIV], (interrupted with 8 unnumbered pages: “Supplement to the Translator’s Preface,” on the origin of books of chivalry, [by Wiliam Warburton]), continued pagination [XXV-XXXII], Second Frontispiece (Portrait of Cervantes by George Vertue after G. Kent), V, (2), 355 pages with 28 copperplates (including the two frontispieces). Volume II: XII, 388 pages with 41 copperplate illustrations. In total 69 copperplate engravings, all drawn by John Vanderbank and engraved by Gerard van der Gucht / Vandergucht. Modern Hardcover bindings by an english masterbinder, styled to the 18th century period and with new endpapers that carry the original bookplates / Exlibris of John Fane, (Lord Burgersh) the Earl of Westmoreland. Excellent condition with only minor signs of foxing to the outer margins of the pages. All illustrations in strong and fresh imprint. An excellent set from a famous library.

EUR 7.500,-- 

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Fante, A wonderful collection of over 900 vintage paperbacks

14. Cover Art Design – Fante, John / MacDonald, John D. / Rice Burroughs, Edgar / and many others.

A wonderful collection of over 900 vintage paperbacks, fastidiously hand-picked from all parts of North America by an avid and knowledgeable collector. The collection is still intact and has not been ‘robbed’ of its outstanding and often signed publications. (Please ask for detailed list). / Lovingly curated, with a particular eye for unusual titles, this collection represents mid 20th century American pop art at its best. From hard-boiled detective stories to alien invasions, from femme fatales to teenage angst, from swashbuckling buccaneers to gritty westerns, these books were collected for two reasons; their excellent condition, and their lurid, ‘one of a kind’ cover art and outrageous tag lines. The collection also contains some very scarce copies of highly collectible books, including John D Macdonald’s first book, ‘The Brass Cupcake’ and John Fante’s first paperback edition of ‘Ask the Dust’. The great paperback publishing houses are all represented here; Signet, Popular Library, Pocketbook, Penguin, Pan, Lion, Fawcett Gold Medal, and so on. This is a unique opportunity to own a highly respectable collection of 20th century publishing history.

New York and others, Signet, Popular Library, Pocketbook, Penguin, Pan, Lion, Fawcett Gold Medal, and so on, 1945 – Small Octavo. 100000 pages and more. Original, illustrated softcover. Very good+ condition with only minor signs of external wear. Price includes free courier shipment worldwide.

EUR 12.800,-- 

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[de Man, Collection of five books from the library of Paul de Man and Pat de Man

16. [de Man, Paul] Durling, Robert M. / Rosiek, Jan / Weiss, T.[Theodore Russell Weiss] / Hughes, Langston / Levin, Harry.

Collection of five books from the library of Paul de Man and Pat de Man. Three of the books inscribed/signed by the author’s. The Collection includes: 1. Robert M. Durling – The Figure of the Poet in Renaissance Epic. [Inscribed by Durling: “For Paul de Man – with fond regards – Bob”] / 2. Jan Rosiek – Figures of Failure – Paul de Man’s Criticism 1953-1970 [Unsigned / Not inscribed] / 3. T. Weiss – The Catch – The Twayne Library of Modern Poetry [Inscribed by Weiss: “To Pat + Paul, for real friendship + a book of their own soon. Ted”] / 4. Edward J. Mullen – Langston Hughes in the Hispanic World and Haiti [Inscribed by Langston Hughes: “Ma cheri Pat, may this slight token of appreciation for your past (and hopefully) future, intellectual ministrations to your petit frère recall to you fond memories of your peregination. Love, Langston – Chritmas, 1979 (Late, as usual)”] / 5. Karry Levin – Grounds for Comparison [Unsigned / Not inscribed].

Cambridge (Mass.) / Aarhus / New York and others, Harvard University Press / Archon Books / Twayne Publishers / Aarhus University Press, 1951 – 1992. 8°. Volume I.: VIII, 280 pages / Volume II: 247 pages / Volume III: 77 pages / Volume IV: 193 pages / Volume V: 423 pages. Three Volumes in original Hardcover with original dustjacket in protective Mylar / One Volume in Softcover / One Volume in Hardcover. Very good condition. From the library of Paul de Man. Especially the Durling – Volume of interest. Inscribed by the author: “For Paul de Man with fond regards – Bob”.

EUR 780,-- 

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[Pope's Homer] The Iliad of Homer / The Odyssey of Homer / The Works of Pope

29. [Homer] / Pope, Alexander [with William Broome and Elijah Fenton].

[Pope’s Homer] The Iliad of Homer / The Odyssey of Homer / [Stunning 18th century set of all 20 Volumes of Pope’s Works in their original, contemporary bindings with 26 full-page-engravings plus 1 large, folded Map of Greece, 1 large, folded illustration of the Battle of Troy, 1 folded illustration of Achilles Shield as well as 84 text-vignettes illustrating the Iliad and Odyssey / The engravings also include a frontispiece – portrait of Alexander Pope after a painting of Jean-Baptiste van Loo]. The set of Pope’s Homer is followed by “The Works of Pope – In Nine Volumes, Complete. With his last corrections, additions and Improvements: Together with the Commentary and Notes of his Editor”.

20 Volumes (complete set of Pope’s Homer and Pope’s Works). London, Charles Rivington / A.Millar and others, 1760 – 1766. Octavo (14 cm x 21 cm). Collation of Pope’s Homer and Pope’s Works follows here: Collation of Pope’s Homer: Volume One includes: an Essay on Homer by Pope, Book I and Book II of the Iliad with two Frontispiece – illustrations, CLI, 175 pages with five Text-Vignettes and one folded map of Greece [and “Phrygia” / Kingdom of Muska] / Volume Two includes: An Essay on Homer’s Battles, Book II – Book VII of the Iliad, 341 pages with five Text-Vignettes and with a stunning, folded map of Troy and the battlefield: “Troja cum Locis pertingentibus” / Volume Three includes: Book VIII to Book XII of the Iliad with ten Text-Vignettes on 304 pages / Volume Four includes: Book XIII to Book XVI of the Iliad with eight Text-Vignettes on 301 pages / Volume Five includes: Book XVII to Book XXI of the Iliad with ten Text-Vignettes and a stunning, folded engraving, showing the Shield of Achilles as described in Homer’s 18th Ilias, [added is a multi-page “Observation on the Shield of Achilles”], on 287 pages / Volume Six includes: Books XXII to Book XXIV of the Iliad with five Text-Vignettes, a two-page Epilogue for the Iliad by Alexander Pope [dated 1720], and “A Comparison between the Games of Homer and Virgil”, an “Index of Persons and Things”, “A Poetical Index to Homer’s Iliad”, an “Index of Arts and Sciences” with “a View of Homer’s Theology” [outlined in the Index are also Music, Geography, Physick, Military Art Astronomy, Architecture, Gymnastics, Agriculture and Rural Arts, Policy, Oratory etc.], on 212, [75], pages including the sectioning of Allegorical Fables in Homer, Allegorical and Fictitious Persons in Homer, The Marvellous or Supernatural Fictions in Homer, Characters of the Gods of Homer, as acting in the Physical or Moral capacities of those Deities [Jupiter, Juna, Apollo, Mars, Minerva, Venus, Neptune, Vulcan], Characters of the Heroes Achilles and Aeneas, Agamemnon, Ajax, Diomed, Hector, Idomeneus Menelaus, Nestor, Priam, Paris, Patroclus, Sarpedon, Ulysses and much more // Volume VII [being Volume One of The Odyssey]: Includes “A General View of the Epick [sic] Poem and of the Iliad and Odyssey, extracted from Bossu” and Book I to Book IV of the Odyssey with eight Text-Vignettes and some minor wormhole-damage decreasing from the titlepage to the end of the Volume, 240 pages / Volume VIII [being Volume Two of the Odyssey]: Includes Book V to Book IX of the Odyssey with nine Text-Vignettes on 272 pages / Volume IX [being Volume Three of the Odyssey]: Includes Book X to Book XIV of the Odyssey with nine Text-Vignettes on 316 pages / Volume X [being Volume Four of the Odyssey]: Includes Book XV to Book XIX of the Odyssey with eight Text-Vignettes on 277 pages with a faded dampstain to the core of the lower book-block / Volume XI [being Volume Five of the Odyssey]: Includes Book XX to Book XXIV of the Odyssey with an Epilogue [″Postscript”] by Alexander Pope, an Index to the Odyssey and an Addenda: “Homer’s Battle of the Frogs and Mice – by Mr.Archdeacon Parnel, corrected by Mr.Pope” with eight Text-Vignettes on 280, [20], 28 pages [one layer ever so slightly loosened, but still attached to the book-block// Collation of Pope’s Works: Volume I includes: Juvenile Poems / Pastorals etc. with Frontispice, Advertisement, Preface, [XLV], 288 pages with an additional two plates [Engravings for “Windsor Forest” and “The Rape of the Lock”] Faded dampstain to the illustration for “The Rape of the Lock” / Volume II includes: Pope’s Translations and Imitations, 272 pages with four plates, illustrating “Eloisa to Abelard”, “The Temple of Fame”, “January and May”, “The Wife of Bath” / Volume III includes: Moral Essays, Essays on Man and Essay on Satire, 362 pages, illustrated with eight plates of which one is detached and loosely inserted in its dedicated space verso page 203 / Volume IV includes: Satires and Epistles of Horace imitated, Satires of Dr.John Donne, etc., 336 pages, illustrated with three plates / Volume V includes the Dunciad in Four Books with a Frontispiece and five additional engravings (of which one engraving only covers half a page), 345 pages plus 14 pages of an Index / Volume VI includes Pope’s Miscellaneous Pieces in Verse and Prose, [including his Prefaces to Homer and Shakespeare], with 407 pages and one engraving faded dampstain to lower bookblock) / Volume VII includes the first Volume of Alexander Pope’s Letters, XXXII, 367 pages / Volume VIII includes the second Volume of Alexander Pope’s Letters, XI, 280 pages / Volume IX includes the third [and last] Volume of Alexander Pope’s Letters [including the 88 (!) letters to and from Jonathan Swift] XV, 372 pages //. Original Hardcover / 18th century full calf with gilt lettering and ornament on spine. Condition of the eleven Volumes of Pope’s Homer: An original set of all eleven volumes of Homer with their original patina, unaltered in 18th-century-condition and with very few Volumes with minor damage to the spines and some of the leather slightly rubbed and minimally loosened from the boards. Minor, faded dampstain to one Volume and decreasing wormhole-damage to one other Volume. All Volumes firm with one layer inside the Odyssey ever so slightly loosened. All illustrations, maps, folded engravings and allegorical Text-Vignettes within Pope’s Homer present and in excellent condition. Very good condition with only minor signs of external wear. / Condition of the additional set of nine Volumes of Pope’s works: Overall very good with all Volumes firm but two Volumes with some minor damage to the spines (Volumes I and IV). Occasionally some dampstaining in three of the nine Volumes but overall this nine volume-set of Poepe’s works is in still very good- condition with some pages being a little dusty and only one of the 24 engravings/ illustrations detached and loosely inserted. One of the rare opportunities to buy Alexander Pope’s Homer and collected works in an entire, original 18th century private library-set. From the collection of Daniel Conner, with his Exlibris / Bookplate to the pastedown //

EUR 2.800,-- 

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Mendelssohn Bartholdy, Collection / Sammelband of original, printed scores.

43. Mendelssohn Bartholdy / Jakob Ludwig Felix.

Collection / Sammelband of original, printed scores. The Volume contains the following scores: I. “Symphony No. 3” – Composed and Dedicated by Permission to her most gracious Majesty Queen Victoria, by Felix Mendelssohn Bartholdy, arranged as a Piano Forte Duett, by the author. Op. 56 (67 pages) London, Published by J.J.Ewer & Co., [c. 1860] / II. “Overture to Melusine”. Arranged for Piano Forte, composed by Felix Mendelssohn Bartholdy. Op. 32 (17 pages) London, Cramer, Addison & Beale, [c. 1839] / III. “Caprice”, for the Piano Forte, composed by Felix Mendelssohn Bartholdy. (15 pages) London, Cramer, Addison and Beale, [c. 1840] / IV. “Fantasia” on a Favourite Irish Melody for the Piano Forte. Composed by F. Mendelssohn Bartholdy (Op. 15) – 8 pages, London, Cramer, Addison & Beale, [c. 1840] / V. “Two Musical Sketches” for the Piano Forte. Composed by F. Mendelssohn Bartholdy. 7 pages – London, Cramer, Addison & Beale, [c. 1840] / VI. “Capriccio for the Piano Forte. Composed & Dedicated to Miss Honoria Taylor. By F. Mendelssohn Bartholdy (Op. 16) No. 2; 4 pages – London, Cramer, Addison & Beale, [c. 1840] / VII. “The Rivulet” Rondino for the Piano Forte. Composed and Dedicated to Miss Susan Taylor, by F. Mendelssohn Bartholdy (Op. 16) – No. 3; 4 pages – London, Cramer, Addison & Beale, [c.1840] / VIII. “Twenty-Seven Melodies” by Felix Mendelssohn Bartholdy, arranged for the Piano – Forte from his Ops. 8 and 9. In Four Books:– Book I, II, III and IV (13, 13, 13, 13 pages) – London, Ewer & Co., [c. 1840] All the four books have separate titlepages / IX. “Six two-part Songs, for Female Voices with Accompaniments of the Piano – Forte, composed by Felix Mendelssohn Bartholdy (Op. 63) – 29 pages; London, J.J.Ewer * Co., [c. 1840] / X. “The Garland”, by Thomas Moore Esq. Set to Music by Felix Mendelssohn Bartholdy. 5 pages; London, J.J.Ewer & Co., [c. 1840] //

London, Ewer / Addison / Beale and others, [c.1840 – 1863]. Folio. c 180 pages. Modern Hardcover, beautiful half morocco with gilt lettering on spine and marbled paper covered boards. Original Softcover, engraved scores bound in. Very good condition with only minor signs of external wear. Only three of the scores with some tears, one with a dampstain ! Overall an extremely attractive compilation of Mendelssohn’s work in a recent mster-binding. Highly collectable and a beautiful gift ! Ask for multiple images.

EUR 750,-- 

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Montague / Dorgan - Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections

45. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

EUR 2.800,-- 

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Fantastic Collection of c. 750 (sevenhundredandfifty !) Issues of 20 important national and international Jazz & Classical Music - Magazines from the George Hitching Classical Music & Jazz Collection.

47. [Musical Times / Jazz News / and others] / Hitching Collection.

Fantastic Collection of c. 750 (sevenhundredandfifty !) Issues of 20 important national and international Jazz & Classical Music – Magazines from the George Hitching Classical Music & Jazz Collection. The collection includes the following magazines: 1.″Classics” – The Review of Mid-Price and Budget Releases (10 issues / February 1992 – January 1993) / 2. “Music in the USSR” (6 Issues / July 1984 – March 1986) / 3. “Records and Recording” (5 Issues / 1970-1978) / 4. “Classical Music” – The Magazine of the Classical Music Profession (13 Issues / October 1997 – April 1998) / 5. “Opus” – The Classical Music Magazine (10 Issues / October 1986 – April 1988) / 6. “Musical America” – The Journal of Classical Music incorporating “Opus” (basically the follow-up magazine for Opus) (7 Issues – July 1988 – July 1989) / 7. “The Musical Times” (23 Issues (August 1993 – September 1995) / 8. “Organists’ Review” (37 Issues between March 1989 – November 2003) [including several IAO News which came with the “Organist’s Review”] / 9. “International Piano” (98 Issues published between Summer 2000 – October 2017) / 10. “International Record Review” (150 Issues between March 2000 – March 2015 plus one old issue from March 1970) / 11. “Slovak Music (5 Issues from 1990 – 1991) / 12. The Dvorak Society – For Czech and Slovak Music (Year-Book from 1991 – 1996 plus one issue – special edition UK and Ireland Tour 12-29 September 1991) / 13. “Czech Music” (8 Issues between Spring 1989 – Winter 1994) / 14. “The Monthly Letter – A Critical Review of recent Recordings” – (More than 250 Issues from October 1950 – November 1967) AND (January 1971 – December 1979) AND then going forward under a new name: “The Monthly Guide to Recorded Music” – January 1981 – December 1984) / 15. “International Classical Record Collector ICRC / Classical Recordings Quarterly CRQ (The World’s Leading Review of Vintage Classical Recordings” [The Review of Historic Recordings] (70 Issues published between May 1995 – Spring 2012) – This is always the same Magazine – edited by the wonderful Tully Potter with a few new owners in-between issues Autumn 2002 and Spring 2008 / 16. “International Piano Quarterly” – (11 Issues from the first issue in Autumn 1997 – Winter 2000) / 17. “International Opera Collector” – (13 Issues from Autumn 1996 – Autumn 1999) / 18. “The Pianola Journal” – The Journal of the Pianola Institute (21 Issues from No1. in 1987 – No. 21 in 2010 / 19. “Jazz Journal (28 Issues from March 1979 – March 1989) / 20. “Jazz News” – Ireland’s Jazz & Blues Magazine (14 Issues from No.1 in December 1986 – No.4 August 1989)

1950-2015. Octavo – Quarto. More than 30000 pages na dillustrations on classical music and Jazz within some of the most important musical Magazines of the second part of the 20th century. Original Softcover Magazines. All in very good condition with only minor signs of external wear. The price includes an upgrade to worldwide free shipping of the collection per DHL Express Courier.

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Ann Radcliffe - The Mysteries of Udolpho - A Romance; interspersed with some pieces of Poetry.

52. Radcliffe, Ann.

The Mysteries of Udolpho – A Romance; interspersed with some pieces of Poetry.

First Dublin Edition / First Irish Edition. 3 Volumes [complete set]. Dublin, , by Hillary and Barlow, for Messrs. P. Wogan, W. Jones, and H. Colbert, 1794. Small Octavo (17.5 cm x 11 cm). Collation complete: Volume I: 310 pages / Volume II: 321 pages / Volume III: 357 pages. [Few pages with misprinted numerals, as often the case, but all pages in order and complete]. Original, unaltered, 18th-century full leather with gilt lettering on original spinelabels. Very rare, complete set of the first Dublin Edition. Very good- condition with stronger signs of external wear but all three Volumes in firm, original condition. Lesions to the leather-covered-boards and some stronger rubbing to extremeties. Interior with only very few problems. All three Volumes used to have two endpapers before and after the text and some of these endpapers are torn or missing. Textblock in general very good with some very minor and only occasional staining only. In Volume I, tear to corner of page 101/102 and 135/136. Faded stain to only the outer margins of pages 239 to 310 (text never affected). Volume II with small tear to pages 21/22 / Volume III with lesion to page 281/282 and tear to corner 305. These all sound worse than they are and the set is still in very good- condition. From the library of the Meade family in Ballymartle, the titlepage of each Volume bears the name of Helena Meade. An extremely rare and highly collectable set of one of the rarest titles in english literature.

EUR 3.800,-- 

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Collection of 60 books on the History of Textiles, Fabrics, Interior Design, Arts & Crafts for Interior Design and Classical as well as Modern Furniture for Historical and Modern Architecture. The col

54. Schoeser, Mary / Rufey, Celia / Wrey, Lady Caroline / Heath, Adrian & Ditte / Calloway, Stephen and many others.

Collection of 92 important books and smaller publications on Interior Design with books on the History of Textiles, Fabrics, Interior Design Styles of different countries, Arts & Crafts for Interior Design and Classical as well as Modern Furniture for Historical and Modern Architecture. The collection comes from the two libraries of a furniture historian and textile historian. The collection includes: 1. Mark Girouard – Sweetness and Light – The Queen Anne Movement 1860 – 1900 / 2. Gerhard Bott – Art Nouveau / Jugendstil / 3. Country House Lighting – Temple Newsam Country House Studies / 4. The Fashionable Fire Place / 5. Mary Schoeser & Celia Rufey – English and American Textiles / 6. Pentagon Informal Design / 7. Adrian & Ditte Heath with Aage Lund Jensen – 300 Years of Industrial Design / 8. Gideon Bosker – Michele Mancini – John Gramstad – Fabulous Fabrics of the 50s and other Terrific Textiles of the 20s, 30s and 40s / 9. Arabian Ornament from the 12th to the 18th century / 10. Michael Johnson – Problem solved – A Primer in design and communication / 11. Edward Booth-Clibborn – Design a la Minale Tattersfield – A unique philosophy applied to all aspects of design (Graphics / Corporate Identities / Interior & Retail Design / Packaging & Products / Furniture) / 12. The Grosvenor House Antiques Fair / 13. Sembach – Leuthaeuser – Goessel – Meubeldesign van de 20ste eeuw / 14. Tim & Quentin Newark Brassey’s Book of Camouflage / 15. Alice Kaufman and Christopher Selser – The Navajo Weaving Tradition 1650 to the Present / 16. Sarah E. Braddock and Marie O’Mahony – Techno Textiles – Revolutionary Fabrics for Fashion and Design / 17. Jon Catleugh – William de Morgan Tiles / 18. Historic Paper Hangings from Temple Newsam and other English Houses / 19. Kate Wells – Fabric Dyeing & Printing / 20. Henrietta Spencer-Churchill – Classic Fabrics / 21. Jenny Ridgwell – A-Z of Textiles Technology / 21. Laura Ashley – Complete Guide to Home Decorating / 22. David Linley – Design and Detail in the Home / 23. Karen Howes – Vacation Homes and Perfect Weekend Hideaways / 24. Josephine Ryan – French Home / 25. Caroline Seebohm and Christopher Simon Sykes – English Country – Living in England’s Private Houses / 26. John Cornforth – The Inspiration of the Past – Country House Taste in the 20th century / 27. Barbara & Rene Stoeltie – Country Houses of England / 28. A Treatise and General Primer on the Properties of Early American Paints / 29. Clarence P. Hornung – Treasury of American Design (Two Volumes in One) / 30. Maggie Stevenson – Architectural Details – A Home Source Book of Interior Fixtures from Taps to Tiles, Doors to Floors / 31. Michael Snodin and John Styles – Design & The Decorative Arts (Britain 1500-1900) / 32. The Victorian Catalogue of Household Goods – A complete Compendium of over five thousand items to furnish and decorate the Victorian Home / 33. Armelle Baron – Axel Vervoordt – Timeless Interiors / 34. Henrietta Spencer-Churchill – Classic English Interios / 35. Bill Laws – Irish Country Style – A Celebration of Ireland’s Enduring Charms / 36. Traditional Paint News (4 Volumes) / 37. A Directory of Authentic Renovation – Putting Back the Style / 38. Lars Sjoeberg and Ursula Sjoeberg – The Swedish Room / 39. Sally Griffiths – Nina Campbell on Decorating / 40. Margaret and Alexander Potter – Interiors / 41. Suzanne Slesin a.o. – Spanish Style / 42. Katrin Cargill – Swedish Style / 43. Monisha Bharadwaj – Inside India – Quintessential Indian Style / 44. Lady Caroline Wrey – The Complete Book of Bedroom Elegance with over 30 projects for stylish soft furnishings / 45. Stephen Calloway – The House of Liberty – Masters of Style & Decoration / 46. Jocasta Innes – The New Paint Magic / 47. Melanie Fleischmann – In the Neoclassic Style – Empire, Biedermeier and the Contemporary Home / 48. The Laura Ashley Book of Home Decorating by Elizabeth Dickson & Margaret Colvin / 49. The Ideal Home – Volume XXIX (12 Issues – for example with Art Deco Interior Design essays and images for the whole year of 1934) / 50. Fire Earth – 1000 Years of Tiles in Europe / 51. Elizabeth Eames – English Medieaval Tiles / 52. Elizabeth Eames – Medieval Craftsmen – English Tiles / 53. – Lee Allane – Kilims – A Buyer’s Guide / 54. Don Dedera – Navajo Rugs / 55. Caroline Davidson – A Woman’s Work is never Done – A History of Housework in the British Isles 1650 – 1950 / 56. Manual of Housekeeping – A practical Guide to the conservation of historic houses and their contents / 57. Mary Schoeser – Fabrics and Wallpapers – 20th century design / 58. The Language of the Fan / 59. Geoffrey Beard – The English House Interior / 60. Going for a song: English Furniture – Arthur Negus talks to Max Robertson / 61. Buyer’s Guide to Contemporary British Textiles for the Interior / 62. Colour – Making and Using Dyes and Pigments / 63. George Savage – Porcelain through the Ages / 64. Elizabeth Burthon – The Early Victorians at Home / 65. Adrian Fisher and Diana Kingham – Mazes / 66. Sylvia Katz – Early Plastics / 67. Hans van Lemmen – Victorian Tiles / 68. Hans van Lemmen – Delftware Tiles / 68. Kenneth Beaulah – Church Tiles of the nineteenth Century / 69. Hans van Lemmen – Tiled Furniture / 70. Clare Taylor – Wallpaper / 71. Elizabeth Gale – From Fibres to Fabrics / 72. Jessica M.F. Rutherford – The Royal Pavilion – The Palace of George IV / 73. FLOS – Design Catalogue / 74. Catrine Clay – Princess to Queen (Pictorial Biography of Elizabeth II. with several images of interior design and her personal fashion) / 75. John Goode – Irish Ceramics / 76. Fay Sweet – SOURCE – an internet directory of modern interior design / 77. Barbara Winbfield – The Complete Book of Home Details / 78. John Pym – Merchant Ivory’s English Landscape Rooms, Views and Anglo-Saxon Attitudes / 79. Chic Simple Components: “Bath” / 80. Charles W. Jacobsen – Check Points on How to Buy Oriental Rugs / 81. Ingo Maurer – Systeme Catalogue / 82. Mitchell Beazley – Period Details Sourcebook / 83. Esther Meynell – Portrait of William Morris / 84. Charles L. Eastlake – Hints on Household Tase – The Classic Handbook of Victorian Interior Decoration / 85. Exhibition Design / 86. Irish Brooke – A History of English Costume / 87. James Laver – A Concise History of Costume / 88. Gail Greet Hannah – Elements of Design – Rowena Reed Kostellow and the Structure of Visual Relationships / 89. Maggie Toy – Practically Minimal – Inspirational Ideas for Twenty-First Century Living / 90. Patricia Frost – Collecting Textiles / 91. Susan Lasden – Victorians at Home / 92. Pierre Moulin – Pierre Le Vec and Linda Dannenberg – Pierre Deux’s French Country – A Style and Source Book /

London etc., Thames and Hdson and other Publishers, c.1960 – 2000. Quarto. More than 5000 pages with illustrations. Original Hardcover with the rare illustrated dustjacket in protective collector’s Mylar. Very good condition with only minor signs of external wear. This collection is heavy and needs special shipping costs applied depending on the destination.

EUR 1.750,-- 

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Small Collection / Small Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, together with a wonderful collection of fourteen (14) loose gicleé prints

56. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

EUR 1.400,-- 

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Taylor, Collection of six (6) items/original, vintage and personal materials

59. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

EUR 2.800,-- 

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Viereck, Collection of Manuscript Material by the author Georg Sylvester Viereck.

62. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

EUR 3.500,-- 

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Pages from a Diary Written in Nineteen Hundred and Thirty. [Signed / Inscribed by George Yeats

63. Yeats, William Butler / [George [Georgie] Yeats / Mrs. Eva Hempel / Eduard Hempel].

Pages from a Diary Written in Nineteen Hundred and Thirty. [Signed / Inscribed by George Yeats to Mrs. [Eva] Hempel, wife of german ambassador to Ireland during World War II].

No.8 / 200 copies, of the original limited edition. Dublin, The Cuala Press, 1944 [September 1944]. Octavo. 58 pages. Original Hardcover. Inscribed by George Yeats on the front free endpaper: “Mrs. Hempel from George Yeats, April 1944”. This has to be of course “April 1945”. The impossibility of signing/inscribing a book in April 1944 if it was only published in September 1944 is easily explained with the classic everyday-mistake of still writing the previous year in the first few months of the following year. A stunning association. The signature and inscription is a solid match to George Yeats’ autographs in her later hand and William Butler Yeats and George Yeats were frequent visitors to the Hempel’s in Dublin. In addition, the low number of the edition (8/200) suggests this being one of the reference copies given to George Yeats, who contributed heavily to the volume and even added an explanatory note (in print) verso the titlepage. This copy is near fine, bound in the publisher’s quarter buckram over yellow, paper-covered boards. The books pages remained unopened. Eva Hempel’s husband Eduard Hempel is one of the most controversial figures in modern Irish history, excoriated by some as ‘Hitler’s man’, defended by others such as the country’s first President, Eamon De Valera. Certainly, Hempel presented William Butler Yeats in 1938 with a copy of ‘Germany Speaks’ whose inscription described an ‘unforgettable afternoon’ spent together by Yeats and Hempel. Eduard Hempel and his wife were accepted socialites in the Dublin world of World War II, famously receiving a condolence call by de Valera upon the death of Hitler. Eduard Hempel and his wife Eva were granted asylum in Ireland after world war II and stayed way beyond the end of World War II.

EUR 650,-- 

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